Roundabout way for something that should be default. I'm going out through Quicktime and saving to png. Doesn't make sense to me but then again I don't make either ice cream or program software. Guess you can make ice cream and consider chocolate & vanilla esoteric flavors. Check what new is on the market, maybe you can re-design it. If your workflow is problematic maybe you should re-evalute it. Why make my life much harder by making me do the hokey pokey instead of just adding jpg and png options. So BM is basically saying: Hey, wanna use compressed DNGs, you gotta pass through Resolve. I also don't like many things in Resolve and wish for 100 features, but you have to be realistic. Resolve is used exclusively for working with and exporting compressed dng from Blackmagic Cameras. Resolve is free so you have to remember this also. Your software may not like TIFF, but this may not be the case for others, so it's related to your case.Īs I said- nothing is perfect and you have to deal with it. Compressions kicks?- it's lossless compression so no quality loss at all for all cases. Sometimes the compression kicks, sometimes they work but slow things down a lot, sometimes the just don't work etc. In the Effect Controls, I'll set the Track Matte source to the Alpha layer, and switch the composite to Matte Luma.Andrew Kolakowski wrote:I have seen tiffs behave weirdly plenty of times. Next, I'll go into the Effects panel and place the Track Matte Key effect on my Original clip. I'll create a new sequence and place the clean plate at the bottom, the original on the second layer, and the alpha on top. Now I'll import my original bear clip, the clean plate, and my new alpha clip from Runway into Adobe Premiere Pro. Step 4 - Final Touchesįor my bear walking scene, I actually shot a clean plate to make my composite a little easier. Having the ability to export with a green screen background opens this up to folks using iMovie and other budget-friendly editing applications. These various export options make this a very universal tool. It's more of a clip you can use as a luma matte, which is what I plan to do with the clip in Adobe Premiere Pro and After Effects. I'll select the Alpha option, which isn't really a video clip that contains an actual alpha channel.

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